The London Daily Newsletter Friday 24 March

St Mary-le-Bow
St Mary-le-Bow is an historic church rebuilt after the Great Fire of 1666 by Sir Christopher Wren. According to tradition a true Cockney must be born within earshot of the sound of Bow Bells.

Archaeological evidence indicates that a church existed on this site in Saxon times. A medieval version of the church had been destroyed by the London Tornado of 1091, one of the earliest recorded (and one of the most violent) tornadoes in Britain, although the newly completed arched crypt survived. During the later Norman period the church, known as ’St Mary de Arcubus’, was rebuilt and was famed for its stone arches. At that period the 12 feet 6 inches high vaulted crypt although only accessible from within the church had windows and buttresses visible from the street. From at least the 13th century, the church was a peculier of the Diocese of Canterbury and the seat of the Court of Arches, to which it gave the name. The ’bow bells’, which could be heard as far away as Hackney Marshes, were once used to order a curfew in the City of London. This building burned in the Great Fire of London of 1666. The church with its steeple had been a landmark of London. Considered the second most important church in the City of London after St Paul’s Cathedral, St-Mary-le-Bow was one of the first churches to be rebuilt after the fire by Christopher Wren and his office. The current structure was built to the designs of Wren between 1671 and 1673; the 223-foot steeple was completed in 1680. The mason-contractor was Thomas Cartwright, one of the leading London mason-contractors and carvers of his generation. Much of the current building was destroyed by a German bomb during the Blitz on 10 May 1941, during which fire the bells crashed to the ground. Restoration under the direction of Laurence King began in 1956. The bells as listed above, cast in 1956, were eventually installed to resume ringing in 1961. The church was formally reconsecrated in 1964, having achieved designation as a Grade I listed building on 4 January 1950. In the church is a memorial to members of the Norwegian resistance who died in the Second World War. St Mary-le-Bow ministers to the financial industry and livery companies of the City of London. Consequently, services feature weekday morning and evening led prayers lasting just a quarter of an hour generally at 08:15 (except Tuesdays) and 17:45. There is a memorial in the church to the first Governor in Australia, Admiral Arthur Phillip, who was born in the parish. It is still home to the Court of Arches today. The previous “great bell at Bow”, the tenor bell of the ring of bells installed in 1762 and destroyed in an air raid of 1941, weighed 58 hundredweight, with six tons of ironwork braces cut into the inside walls of the tower as reinforcement. Earlier still, the first great bell was a byword for having a sonorous tone as, in 1588, pamphleteer Robert Greene sarcastically likens the verse of Christopher Marlowe to the bell’s “mouth-filling” resonance. Ordinarily, distances by road from London are now measured from Charing Cross but, before the late 18th century, they were measured from the London Stone in Cannon Street, or the Standard in Cornhill. However, on the road from London to Lewes, the mileage is taken from the church door of St Mary-le-Bow. To note the reference point used, mileposts along the way are marked with the rebus in cast-iron of a bow and four bells.

TUM Book Club: Old Covent Garden
The magic of the old Covent Garden Market is evoked through Clive Boursnell’s photographs, taken over the course of numerous visits to Covent Garden in the 1960s and 1970s.

In the late 1960s and early 1970s Clive Boursnell, then a young photographer, shot thousands of photographs of the old Covent Garden, documenting the end of an era before the markets moved out of central London. Boursnell captured these last days of the market over a period of six years, from 1968 until the market’s closure, in a series of beautiful portraits of the feisty life of a city institution.

Monet’s ’Le Parlement, soleil couchant,’ (The Houses of Parliament, at Sunset) (1900) Claude Monet painted a series of impressionist oil paintings of the Palace of Westminster, home of the British Parliament, in the autumn of 1899 and the early months of 1900 and 1901 during stays in London. All of the series’ paintings share the same viewpoint from Monet’s window or a terrace at St Thomas’ Hospital overlooking the Thames. By the time of the Houses of Parliament series, Monet had abandoned his earlier practice of completing a painting on the spot in front of the motif. He carried on refining the images back home in Giverny, France, and sent to London for photographs to help in this. This caused some adverse reaction, but Monet’s reply was that his means of creating a work was his own business and it was up to the viewer to judge the final result.

Claude Monet

Video: Oyster
Getting around London with Oyster