The London Daily Newsletter Friday 27 January



Downham
The Downham Estate dates from the late 1920s.

The Downham Estate arrived on the scene in 1926, but its name originates in 1914 when the London County Council (LCC) agreed to build three large housing estates. The land was acquired in 1920. Downham covered the lands of two farms, Holloway Farm to the west and Shroffolds Farm to the north. Before the Estate was built, there had been little building south of Whitefoot Lane – many local residents took weekend walks over the ’Seven Fields’. The name ’Downham’ derives from Lord Downham who, as William Haynes Fisher was a former chairman of the LCC. Many of the road took their names from Tennyson’s ’Idylls of the King’. Other roads took their names from places in Devon. By summer 1930, 6000 houses had been completed by builders Holland, Hannen & Cubbits. An additional section of just over 1000 houses was developed at Whitefoot lane in 1937 by builders Higgs & Hill and generally known as ’North Downham’. On completion, some 30 000 people lived on Downham’s newly built Estate. Generally people commuted to work elsewhere. A cheap “workman’s ticket” from Grove Park station became available from November 1928. Shopping facilities came to the the New Bromley Road in 1926, followed by centres at Grove Park, Burnt Ash Lane and one adjacent to the Downham Tavern. The Downham Tavern was the only public house built on the area owned by the LCC. It was for some years considered the world’s largest pub, containing a Dance Hall, Beer Garden, two Saloon Bars, a Public Lounge, a Lunchroom where service was by waiter only. When Downham was first built, it was regarded as a showpiece. A Lewisham official guide from the 1930s described Downham as a ’Garden City’. By 1960, the first LCC houses were being put up for sale as local policy changed.


TUM Book Club: Tube Mapper Project
Photographer Luke Agbaimoni created the Tube Mapper project allowing him to be creative, fitting photography around his lifestyle and adding stations on his daily commute.

The Underground is the backbone of the city of London, a part of our identity. It’s a network of shared experiences and visual memories, and most Londoners and visitors to the city will at some point have an interaction with the London Underground tube and train network. Photographer Luke Agbaimoni gave up city-scape night photography after the birth of his first child, but creating the Tube Mapper project allowed him to continue being creative, fitting photography around his new lifestyle and adding stations on his daily commute. His memorable photographs consider such themes as symmetry, reflections, tunnels and escalators, as well as simply pointing out and appreciating the way the light falls on a platform in an evening sunset. This book reveals the London every commuter knows in a unique, vibrant and arresting style.


Queen’s Road Station, Bayswater (c. 1916) The artwork is a melange of two stations – the name comes from the old name for Queensway station but the depiction more resembles Bayswater station itself. The Camden Town Group was a group of English Post-Impressionist artists who gathered frequently at the studio of painter Walter Sickert in Camden Town.

Walter Richard Sickert (1860–1942)

Video: Flying into LCY
A simulated flight into LCY courtesy of Google Earth Studio.

Ideas:

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