The London Daily Newsletter Friday 9 June

Boar’s Head Theatre
The Boar’s Head Theatre was an inn-yard theatre in the Whitechapel area.

The Boar’s Head was located on the north side of Whitechapel High Street. Berry notes that “it became a playhouse partly because of where it was — just outside the City of London … a few feet beyond the ordinary jurisdiction of the lord mayor and his aldermen.” The Boar’s Head was originally an inn, which was built in the 1530s; it underwent two renovations for use as a playhouse: first, in 1598, when a simple stage was erected, and a second, more elaborate renovation in 1599. In 1616, the lease of the space to Oliver Woodliffe, one of the men responsible for expanding the theatre, expired, and Charles Sisson surmises that this marked the end of the Boar’s Head’s days as a theatre space. On 28 November 1594, Jane and Henry Poley, who owned the inn, entered a lease agreement with Oliver and Susan Woodliffe. The agreement began on 25 March 1595 and ended on 24 March 1616 and included a promise to spend £100 during the following seven years to build, among other things, a tiring house and a stage. In 1598, a primitive stage was built in the middle of the yard, measuring 39 feet 7 inches by 25 feet. The audience stood mostly in the yard, as the galleries were not big enough to accommodate a large audience. In 1599, Woodliffe and Richard Samwell (who had leased the inn in 1598 from Woodliffe; Woodliffe remained landlord of the theatre) took down the primitive stage setup and built a new playhouse apparently meant to compete with Shakespeare’s Globe, which had just opened on the other side of the Thames. As Leggatt states, “the stage — essentially the same stage — was moved to the west wall so that actors could enter directly on to it from the tiring house, a roof was built over the stage, and the galleries were considerably expanded and roofed with tiles.” During its lifetime as a playhouse, it was home to the Earl of Derby’s Men (summer 1599-summer 1601, summer 1602-March 1603), the Earl of Worcester’s Men (summer 1601-summer 1602, April 1604-1605 or 1606), and Prince Charles’ Men (summer 1609-March 1616); the historian Herbert Berry suggests that many other unidentified companies may have played there, as well. In 1616, the lease agreement between the Woodliffes and the Poleys (now controlled by Mrs. Poley’s heir, Sir John Poley) expired. By this time, the Prince’s Men had merged with Lady Elizabeth’s Men and had entered into an agreement to play in the Hope Theatre on Bankside. Sisson suggests that Poley “found it more profitable to develop the buildings and site of the Boar’s head, or to dispose of it to a speculator, for other purposes than those of an inn and a theatre, in the rapid growth of this residential and industrial suburb of London.”.

TUM Book Club: Old Covent Garden
The magic of the old Covent Garden Market is evoked through Clive Boursnell’s photographs, taken over the course of numerous visits to Covent Garden in the 1960s and 1970s.

In the late 1960s and early 1970s Clive Boursnell, then a young photographer, shot thousands of photographs of the old Covent Garden, documenting the end of an era before the markets moved out of central London. Boursnell captured these last days of the market over a period of six years, from 1968 until the market’s closure, in a series of beautiful portraits of the feisty life of a city institution.

’Under London Bridge’ (1920) Dora Meeson is best known for her many fine pictures of the River Thames. As a student at the Slade under Henry Tonks she studied with a number of well-known names including Ursula Tyrwhitt, Ida Nettleship and Gwen Salmond.

Dora Meeson

Video: Oyster
Getting around London with Oyster